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Mona Lisa - Leonardo da Vinci (c. 1503-06)

Mona Lisa - Leonardo da Vinci (c. 1503-06)

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21" x 30" Artwork on Scratch-Resistant True-Matte Archival Canvas. Our true-matte canvas is a well-textured 19 mil bright white, consistent poly-cotton blend with a real matte look and feel. Utilizing newer giclée technology, this is one of the first scratch-resistant matte canvases available. With an eye-popping color gamut and dmax, coupled with critical archival certification and the ability to apply a laminate hassle-free, it sets a new standard of exceptionalism in fine art. Internally, we refer to this masterful blend of artistry and engineering as "the game changer" that will capture every nuance in your images.

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This portrait was doubtless painted in Florence between 1503 and 1506. It is thought to be of Lisa Gherardini, wife of a Florentine cloth merchant named Francesco del Giocondo - hence the alternative title, La Gioconda. However, Leonardo seems to have taken the completed portrait to France rather than giving it to the person who commissioned it. It was eventually returned to Italy by Leonardo's student and heir Salai. It is not known how the painting came to be in François I's collection.

The history of the Mona Lisa is shrouded in mystery. Among the aspects which remain unclear are the exact identity of the sitter, who commissioned the portrait, how long Leonardo worked on the painting, how long he kept it, and how it came to be in the French royal collection.

The portrait may have been painted to mark one of two events - either when Francesco del Giocondo and his wife bought their own house in 1503, or when their second son, Andrea, was born in December 1502 after the death of a daughter in 1499. The delicate dark veil that covers Mona Lisa's hair is sometimes considered a mourning veil. In fact, such veils were commonly worn as a mark of virtue. Her clothing is unremarkable. Neither the yellow sleeves of her gown, nor her pleated gown, nor the scarf delicately draped round her shoulders are signs of aristocratic status.

The Mona Lisa is the earliest Italian portrait to focus so closely on the sitter in a half-length portrait. The painting is generous enough in its dimensions to include the arms and hands without them touching the frame. The portrait is painted to a realistic scale in the highly structured space where it has the fullness of volume of a sculpture in the round.

The figure is shown in half-length, from the head to the waist, sitting in a chair whose arm is resting on balusters. She is resting her left arm on the arm of the chair, which is placed in front of a loggia, suggested by the parapet behind her and the two fragmentary columns framing the figure and forming a "window" looking out over the landscape.

Original painting is on display at Musée du Louvre, Paris, France.

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